That showery morning when I met Father Christmas... And his name was Lawrence!

Paphos, Cyprus, December 2016

I love so very much speaking with those who live on the borders listening to their revelations and have some humorous but also some devastatingly sad stories to tell. Many of these stories touch on the fantastical. It is where I find most of my angels and where the ‘old man’ will mostly live. It is there where feather and flesh, flesh and feather, meet on the margins of the long narrow streets, and around ancient churches whose bell-towers are about to collapse, in the ghostly sounds of trains which rush towards their final destination, in remote petrol stations, in the entrances to hospitals. And in that place where the Moon is pregnant with the light of the Sun.

This Father Christmas was a little less animated. Peyia, Paphos. Photo: MG Michael (2016)

This Father Christmas was a little less animated. Peyia, Paphos. Photo: MG Michael (2016)

This story belongs to the lighter side of these encounters. It was the day before Christmas. In Kato Paphos I would visit a café bar by the harbour whose crystal blue waters course in from the Mediterranean Sea. I would come here every morning to have breakfast, to check my email, and to work on some drafts. This café [like most cafés] had a story of its own, with its famous resident Coco the African grey and the expat former middleweight Englishman boxer the proud owner. This tall gentleman with the broad Yorkshire accent was one time bodyguard and confidant to the likes of Tom Jones and Demis Roussos. But on this particular showery morning the attention of the patrons was drawn to a bellowing voice across the street to the promenade. From what we could see it was a bearded old man with a large red Father Christmas stocking cap atop his head. Some of the patrons thought he was being a nuisance, while others preferred to concentrate on their old-school ‘full English’. But some of us did enjoy the grace and joie de vivre of the old man. I must admit I found his repertoire rather strange but on hindsight it was entirely symbolic. Until this day I had never before heard Father Christmas belt out “My Way” and “A Girl Called Maria”. Followed by “Hark the Herald Angels Sing”! A huge pretend pine tree was decorated to the hilt and proudly set up in the middle of the square. Late morning of the 24th both to my surprise and merriment, I discovered over four short blacks that my new bushie acquaintance was Jewish, his name was Lawrence, and that as a little boy he was a gofer for a stock exchange company in the centre of London. He loved to sing and was a member of a number of choirs, but like me I would suppose, he much preferred going rogue. And then we slapped each other on the back and sung “Hava Nagila”.

And for some reason I would remember my dearly loved Viktor Frankl to whom I have oftentimes turned for “meaning” who somewhere said that Jews and Christians would in many instances hold each other’s hands to pray together before being led into the darkest places of Auschwitz.

Vladimir Vavilov’s Ave Maria

Newtown, Sydney

I was delighted the upload of Simon and Garfunkel’s The Sound of Silence resonated with you. It was touching to read from one young person that listening to the spoken lyrics by Leonard Cohen helped him during some difficult days. And to hear from my dear friend, the country and western singer Sand Sheff himself, who emailed to say the song also holds a special place in his heart. Music is indeed, the universal language. It is the common space, the hearth, where we have met for thousands of years to “speak” though we might not have understood each other’s tongue.

Encouraged by this warm response I share with you another beautiful song from my “soundtrack”. This time it is an aria (an expressive melody) from the Russian guitarist and composer Vladimir Vavilov (1925-1973),[1] the enrapturing Ave Maria.[2] The composer recorded it and published it himself on the Melodiya label ascribing it to “Anonymous”.[3] It is dated to 1970.[4] Since the death of Vavilov it has often been incorrectly attributed in one of the great musical hoaxes, to the late Renaissance composer and instrumentalist Giulio Caccini.[5] It is distinct from the more well-known Schubert and J.S. Bach/ Charles Gounod versions.

There are grand pieces of ART which transcend cultures and creeds. They are profound creations which resonate throughout the ages. And this melody which speaks to us of the great grace of the Mother of our Lord, and indeed of the love and benevolence of mothers everywhere, is one of these grand pieces. One does not have to be religious to appreciate the overwhelming beauty of this song, any more than one has to be atheist to have compassion for the suffering and philosophical insights of a Friedrich Nietzsche.

Of interest the text has only the two words… the Ave Maria.   

It is a spiritual mantra, or a prayer of the heart.

Any attempts to find cynical or political influences in Vavilov’s composition have yielded no results. The composer died in poverty suffering from pancreatic cancer, at the early age of 48.

The aria became known to a wider audience when it was performed by Inese Galante and then released in her debut album Debut in 1995. The composition gained even more recognition and worldwide interest four years later in 1999 when Andrea Bocelli performed it and released it in his Sacred Arias. Also of note is the incredible performance of the counter-tenor, the Korean David DQ Lee. There are now many covers here as well. The very best of these performances given the high calibre singer who will attempt the aria (normally the classical female singing voice of a mezzo-soprano) are often referred to as performances of “effortless perfection”. Below I have selected the singers which have specifically appealed to me. Each of the performances is truly moving and magnificent in their own right. And yet if you only have time to listen to just one, then please let that be the “irreproachable” Irina Arkhipova.

Irina ArkhipovaAndrea BocelliInese GalanteDenyce GravesEwa IzykowskaSumi JoElisabeth KulmanDavid DQ LeeOlga Pyatigorskaya

[1] https://en.wikipedia.org/wiki/Vladimir_Vavilov_(composer)

[2] Ave Maria (Hail Mary) also referred to as “The Angelical Salutation”, is the traditional and most familiar prayer in the Roman Catholic Church in honour of the Blessed Lady. It is inspired by the angel’s salutation of the Blessed Virgin (Lk 1:28).

[3] https://en.wikipedia.org/wiki/Ave_Maria_(Vavilov)

[4] Ibid.

[5] http://www.origenmusic.com/ave-maria-vavilov.html