Photographs which have aged and yellowed

These are faithful keepers of our memories. They will suffer no contradiction. Their testimony does not bend. The traditional photo album has ever more intrigued me with the passing of time. Especially when those strong twinges of reminiscence stir in the heart—not unlike a favourite song or a familiar aroma. There is a discernible integrity to photos. Photographs which have aged and yellowed as we ourselves have become older. They are witnesses to some of the most precious moments in our lives. Here are found the traces of our biography and the roots which speak to the unravelling of that story. I am not idealizing the experience of leafing through the pages of our photographic collections—and yet this is precisely my point. In those pages with the plastic slides where we have slipped our treasures the memories rekindled are not always happy ones. There are photos of our dearly loved people who are no longer with us and on whom our eyes pause to linger a little longer. Could I have not been a better son to my father—or for that matter, a better father to my own children? In other places those cherished photographs of friends held tightly in our embrace who now are no longer in our lives. Was not this friendship meant for life—what did those beautiful smiles mean? We are forced to redefine previously held certainties. Still, and somehow, we might still resist to admit to these changes. In Aleksandar Hemon’s The Lazarus Project (2008) there is a perfect line: “When I look at my old pictures, all I can see is what I used to be but am no longer. I think: What I can see is what I am not.” These moments in time as they were captured in our photos is one of the best examples of that brilliantly encapsulating term popular with the eastern orthodox monastics when they reflect on life, “joyful-sorrow”. Each of these photos reawaken joy or sorrow in their own unmistakable way. I am not here speaking of photographs which have been photoshopped to present us in our idealized form or which can be speedily deleted. Susan Sontag has written of "image-junkies" in her On Photography (1977) a telling term we can nowadays appropriate to describe our obsession with the selfie. In the olden days of Kodak for the everyday user there was no manipulation of reality—and if you desired to destroy a picture to begin with you would have to locate it amongst the many others to hold it first in your hands. There was a moment where you might reconsider. And that one last look could make all the difference before you made the decision to physically tear the memory apart. You had to materially partake. Nowadays, we can delete in bundles to literally send to the trash bin, not having to ponder on the implications of our action. But that act in itself is no small deception, for our memories like old scars cannot so easily be wiped out or written over—and paper cuts can make you bleed. The old photo album, open it with the judgement of charity. In The House at Riverton (2006) Kate Morton’s words speak with a brutal yet compassionate reality: “Photographs force us to see people before their future weighed them down.” Whatever the lessons of this faithful keeper of our memories, it is our truthful friend and bigger than any novel.

Postscript: The two photographs are of our beloved Momma, Eleni Michael, née Fotineas. The first is from her late teens, the second and now struggling in those dreadful fogs of dementia, was captured recently by my own daughter, her namesake, Eleni Keziah M.

M.G. Michael Family Archives: Helen Michael

In my bedroom early morning hours January 7th 2018

Gerringong, NSW

The heat almost unbearable tonight; like the years lost to phantasms; memories which mock till sucked dry; the roundness of my back a parachute; this body once carved from Greek marble; the teasing of a spirit which stays young; the soft flesh and decay of teeth; tonight this is not who I am; tonight I am a god smearing moonlight on my face; I am a poet until the sunrise; and my hair is thick and hiding a multitude of stories; Augustine of Hippo “ever-present eternity”; “[y]et the timeless in you is aware of life’s timelessness” (Khalil Gibran); “At that time Michael, the great prince who protects your people, will arise” (Dan. 12:1); I hear the waves crashing onto the shore; years ago the Pacific Ocean almost claimed me; the water has been after me since the womb; vodka; voda; little water; you can drift off nicely with a huge ear; tympanic membrane; Bugs Bunny “Rabbit of Seville”; Syd Barrett busking in Paris before his conflagration; Estas Tonne’s burning fingers whirling dervishes in Madrid; the blind guitar player on Piccadilly Circus looks my way; word association associative patterns; “[w]ild, wild horses we’ll ride them some day” (The Rolling Stones); Eleni wakes up to a nightmare; J.P. Morgan; the ‘1907 Panic’; the Federal Reserve System; do understand it is a private trust; this generation has been reeling in the darkness; algorithms are without soul; ‘number crushing’ will be reversed; to the right on top my side drawer four books; The Handmaid’s Tale; Titus Andronicus; The Robots of Dawn; David Brooks' The Fern Tattoo; to the left on top my side drawer; the Nestle-Aland Novum Testamentum Graece; a pair of blue crystal angels; a prayer rope; a Rubics cube; a bronze owl from Istanbul; the stories from Paphos almost done; I enjoyed drafting these on the mountain; I might send them to Westerly; I am nodding off; I will sleep for a few hours; here on this bed you were conceived; 5.47 AM; “From bed and sleep hast Thou raised me up”; dreamt of my Father sitting on a ledge in his suit; episodic memory; aromatic incense; Lily of Aegina; 2 charcoal pieces; Surrealism and the unconscious; Salvadore Dali (1904-1989);  camouflage; concealing colouration; “[y]ou can close your eyes to reality but not to memories” (Stanislaw Jerzy Lec); it is a little cooler; remnants will be left behind; my pillow wet like London rain; I am getting a new laptop; I wish I did not need one; nobody needs Facebook; great alphabets are hidden in our backyard; “[o]nly the body remembers stillness”; Elvia Garcia Ardalani; back soon must quench my thirst; chilled tomato juice; savoury crackers and cheddar cheese; a short black; Boat Harbour Rock Pool; Seven Mile Beach; Cathedral Rocks; midnight Christmas services the Julian Calendar; typewriter patented on this day (1714); total fire bans are in place; motifs return in different keys; they come back on their head; Ludwig van Beethoven; Claude Debussy; Jon Lord; we are all connected; all things touch; except the “internet of things” which has no soul; but Charles Bukowski has soul (1920-1994); Iranian oil tanker fire leaves 32 missing;  “Aussie Flu” outbreak; Donald Trump ‘absolutely’ would talk with Kim Jong-Un; Titus Andronicus; pulp fiction; “Art thou not sorry for these heinous deeds?” (Titus Andronicus); redemption; “the action of being saved”; recovery; Katina and the little ones at the beach; George gone fishing; my left leg folded under the right has gone to sleep; Tito Colliander (1904-1989); The Way of the Ascetics; searching for faith in a disbelieving world; Pythagoras’ golden thigh; speak to me great river; bite the head off the old serpent; 10:07 AM; I will take a shower; a shower like a baptism promises re-birth; healed in the waters of the Pool of Siloam and the Gihon Spring; blue sundew; purple garlic; dark orange; the dyers guild protected their secrets closely; the porcelain guild even more; my guardian angel above and beyond; Uberveillance is nearer than I thought; who will be able to resist; save your children; blood pressure 157/95; pressure in large arteries; sphygmomanometer; the explosion of colour; diffuse nebulae; interstellar matter; second breakfast: Melba toast, feta cheese, black olives, and a drop of Sangiovese; drafted a poem; revised two translations; listened to Loreena McKennitt; leafed through some old photographs; joyful-sorrow; translate to ‘double-edged sword’; https://www.youtube.com/watch?v=wIS3Y-lZStU;  “I made my song a coat” (W. B. Yeats); Red Mashad Persian Rug; the Blueface Angelfish will dazzle in the Indo-Pacific; diamonds rain down on the surface of Jupiter; Katina and the little ones have returned; George is still with Pops; our neighbours mowing the lawns; the shrieking of Galahs; much cooler and “partly cloudy”; stratus; cumulus; stratocumulous; a postcard from Singapore arrived two days ago; a letter from the bank; an invitation to a wedding; remember Mary Wollstonecraft; she died giving birth to her daughter; the other Mary who wrote Frankenstein; “[i]f I cannot inspire love, I will cause fear!”; back later don’t go away; 9:47 PM; “The day has passed, and I give You thanks, Lord”; another ritual washing; at least the flesh will be clean; earlier a bowl of lentil soup, onion, olives, with crusty bread; a tall cold beer; a mild cigar; a secure roof; unqualified love; blessings beyond words and so my heart be silent and do not complain; “Give thanks to the Lord, for He is good. His love endures forever” (Ps.136); belief is action and movement; belief is not dogmatic it is ongoing counsel through the darkness; “I do believe; help me overcome my unbelief!” (Mk. 9:24); Jeremy bouncing a ball downstairs; Eleni drawing pictures in the big room; Frida Kahlo (1907-1954); look on the underside of the image; a magical realist acquainted with grief; I am upstairs in the bedroom; “Beam me up, Scotty” (Star Trek); Google maps; ‘view or edit your timeline’; what will be the truth; to the right of me the bathroom; to the left of me the walk-in wardrobe; and to the front of me “[t]wo roads diverged in a yellow wood” (Robert Frost); Siccar Point; time split into many points; creation and evolution; blue whale; white whale; grey whale; it invariably comes down to triggers; “Stories that educate and inspire those with OCD” (Stuart Ralph); tap… tap… Tao; the Titanic burned; the iceberg came after; like the new world we are building; “dance me to the end of love” (Leonard Cohen); Salome; Isadora Duncan; Martha Graham; chasse triple step; lock step; feather step; Rabindranath Tagore; Nandalal Bose; Niranjan Bhagat; contextual modernism; orchid; lotus; bleeding heart; last week I dreamt I was wrestling with myself; I had the ‘other’ in a tight headlock; subdue that which wars within you; courage; enlightenment; collapsing stars and gamma-ray bursts; all good for now; the land of Zebulun and the land of Naphtali; from the shadow of death; light will dawn; it all goes too quick, the little bird lamented; let us cry together tonight.

The unspeakable violence which men can do

“He stood at the window of the empty café and watched the activities in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they’d have no heart to start at all.”

Cormac McCarthy, All the Pretty Horses (1992).

 

Most of my memories growing up in the Reno are happy ones, but given the amalgam of humanity a few were not so pleasant. Things I saw or heard which would leave a lasting and sad impression on me such as the too often ruinous fallouts of gambling, prostitution, and heavy drinking. One of these experiences however, was wholly terrifying for a young child, and it would haunt me well into my adult years. It would be as a result of this happening that I would find it extremely hard to forgive those who would take advantage of children, especially if this was sexual abuse. As consenting adults we are more often than not deserving of the consequences of our relationships and we should fight against that ‘self-righteousness’ which would squarely place the blame on the other, but when it comes to children it is far better that we lose all that we possess than it is to harm even one of these. It is also very difficult for me to understand why otherwise very good and sensitive authors would feel the need to describe such violation graphically. It never made any proper sense to me. 

Next door to the shoppe was the ‘neighbourhood’ fine food delicatessen.[1] It was only a small place but packed to the rafters with just about anything and everything that could have been considered even remotely edible. Owned by a hardworking Greek-Albanian couple with three children, it complimented the Reno in its longevity at least. The eldest of the three siblings T., who had a remarkable gift for drawing and went about barefoot paying no regard for weather, was my very first best friend. Together we would explore the foreboding nooks and crannies (and not rarely the roof tops too) of that long stretch of King Street, Newtown,[2] running all the way south to Saint Peters. Along this wide expanse of our exploration which included fabulous toyshops, colourful haberdasheries, bloody butcheries ankle deep in sawdust, cagey pawn shops, together with that brilliant splattering of old generation milk-bars and queenly bakeries with the best pink iced finger buns this side of earth, were the numerous pubs. Big and brawny, the beating heart of the street they were. One of these, the Sandringham Hotel (The Sando),[3] was to figure prominently in our lives. Most pubs or ‘hotels’ as they were also known, would rent out rooms. Committed bachelors and widowers would spend large parts of their lives in those popular establishments as borders. One such person, someone we referred to as Uncle A., would hurt us.

During our late afternoon expeditions up and down King Street, which would afterwards conjure up lively images in my mind of two latter day Huck Finns, we looked out for the jovial Uncle A. The middle-aged man with his unruly mop of reddish hair would be frequently seen having a drink near the main entrance to the pub. What drew us to him were the Superhero comics he would invariably be reading. One evening T. and I were out playing past our curfew (which to the ongoing chagrin of our parents was a much too regular occurrence) when we decided to play “chasings” down to the hotel. Normally this would be in our billy-carts, but this day it was on foot. Uncle A. seeing us and second-guessing our fascination for his marvellous magazines asked us to meet him “round the back”. He invited us to his room and brought out a large cardboard box. It was stacked with those colourful thin volumes which illustrated the improbable stories of our larger-than-life superheroes: The Flash, Thor, Captain America, Green Lantern, Superman, Batman, Captain Marvel, Iron Man, and all the rest who made their way into the 1960’s through the Great Depression and World War II.

He cleared some space and dropped the big box onto the kitchen table. What he almost immediately started to pick out were not the comics we were excitedly anticipating. He had placed “comics” in our hands which had real people in them, and what straightaway struck me was that these people were not wearing clothes. And the pictures too, were without colour, the pages were like those of a newspaper. I started to feel uncomfortable and scared. A child has crystalline discernment. This nasty man had thrown pornography into our hands. Something is not right here. There is the throbbing feeling of an outer darkness.

The little boy sees him place the long serrated blade onto that kitchen table next to his yucky magazines. The man runs his tattooed and nicotine scarred fingers through the little boy’s neatly cropped hair. He mutters unfamiliar words under his intoxicated breath. The little boy looks again at the sharp blade which only moments ago had been depressed hard into his throat. Has he cut me deep? Daddy, am I bleeding? He is terrified, even more than that time when he was run after by the angry dog. It was an Alsatian, he was later told. A heavy hand grabs him from behind the neck. The other older boy, the one without the shoes, is perfectly silent. Maybe he thinks this is some kind of game. The room reeks of alcohol and cigarette smoke. The table has a leg missing and is propped up by a piece of broom-stick. In a twisted connection to identity everything in this small dirty flatette appears to be broken. Laws count for nothing here. These things I can still remember. Sometimes almost entirely clearly and other times only loosely in bits and pieces.

I am sobbing and have wet my pants, yet amazingly still enough in “control” to be scanning about the room for any avenue of escape. One of the bonuses of growing up in the inner-city tributaries, we did not panic or frighten too easy. But I knew nothing of death until that hour at the Sandringham where I would receive one of my earliest lessons into the more brutal and violent realities of life. Uncle A. had taken my friend by the hand and led him into another room. I could only just hear the voices but have a distinct memory of running water. The door behind me had a number of locks, for some reason perhaps in his haste and panic, only one or two of these were securely fastened. All I had to do was unlock those bolts near the door handle. They were within my reach. Michael, do not make any noise. Quickly! A few moments later I am sprinting as fast as my legs can carry me up King Street. Our parents have to know of T. being in danger because of the “big bad man.”

The police came to the café in a hurry but they were not in uniform. They were the ‘plain clothes’. These were the famous detectives. One of these was a striking looking silver-haired woman. Could this have been the legendary Shirley Morgan with whom I would incredibly work with some twelve years later as a probationary constable?[4] With the permission of my parents the two detectives helped me into their unmarked car and we sped down to the pub. By this time safe myself, I was more concerned for the safety of my best friend. I have forgotten how we managed to get into Uncle A.’s room, but not what we saw once we entered. There was no one in the kitchenette. We heard voices coming from what turned out to be the bathroom. T.’s clothes were lying on the wet ground and my young friend was in the bath-tub. The semi-naked Uncle A. was on his knees. His hands were deep in the soapy water.

And for the second time that night, the sense of an awful and overwhelming dread.    

The rest is not too clear, and maybe it is better that way. I do remember however some time later, going to the “big building” and thinking it odd that the detectives would bring our soiled underwear (mine and T.’s) into the court in plastic bags. For some reason I felt unhappy when I realized what the police had brought with them. I suddenly felt ‘unclean’… and responsible. It would take a long time and countless nightmares for me to comprehend these confused feelings and to be rid of them. Michael, you must remember these happenings are not you. Do not multiply the ghosts. Long afterwards having read Tomas Tranströmer, the Swedish Nobel poet who emphasizes childhood experience and memory in his work, I discovered that it was possible to write of these things without getting completely ‘fixed’ on them.[5] There exists in Tranströmer’s literature a rich trove of insights for those who are engaging with developmental psychology and particularly with the innateness and environmental influences question.[6] I do not know what happened to Uncle A., but we never saw or heard of him again. I was seven years old at the time and T. was eight.[7] Many years into the future a Sydney based rock band The Whitlams would write an ode to the pub “God Drinks at the Sando”… but for two little boys it was where they would come face-to-face with the devil.

 

A few weeks later and my first brush with obsessive compulsive disorder (OCD). Make sure the doors are locked, Michael… 123… knock… 123… knock… 123… knock. Surprisingly, it would take some time for me to realize why the skin of the middle knuckle on the index finger of my right hand would invariably be sore and broken.

“I walk slowly into myself, through a forest of empty suits of armour.” (T.T.)

 

Years earlier I had been sexually assaulted by my Nanny. In lots of respects adults have continued to shock me, in very good and very bad ways. I mean for their limitless capacity to routinely express undreamed-of acts of compassion, as for their day-to-day devastating acts of unspeakable violence.

We may carry the memory of the damage which was done to us, but it is not who we are. And to the extent that we move forward and build and create and share a little of the Light which has been revealed to us, the perpetrators hold on us is increasingly weakened and diminished. And for those who have practised the great and often enough difficult art of forgiveness, the victory itself is greater and goes deeper than the memory. It will take a little time and some heavy loads of endurance, but the ghosts can be surely quietened. 

“When you encounter difficulties and contradictions, do not try to break them, but bend them with gentleness and time” (Saint Francis de Sales).

 

[1] Similarly to the Reno, the small delicatessen went through a number of transformations throughout the decades. It is now a busy newsagency run by a lovely Asian couple.

[2] http://www.newtownproject.com.au/welcome-to-the-newtown-project/about-newtown/

[3] http://www.sando.com.au/index-old.htm

[4] My initial posting as a junior trainee was at Newtown Police Station, just a few blocks down from the Reno! It was one of the more well known divisional stations with an improbable bag of ‘colourful’ characters.

[5] http://www.poets.org/viewmedia.php/prmMID/19009

[6] http://www.psychologistworld.com/developmental/

[7] I literally bumped into T. some thirty years later outside a church in the eastern suburbs of Sydney. He was leaving after a baptismal service just as I was about to attend one. We embraced warmly, but too much time had passed. There was little to say.